Mornings in May

 

Each morning in May

a small bird,

common, undistinguished,

black headed and grey

flies against the bedroom window

Again and again,

beginning his day.

 

Wings spread,

Resting on the sill a bit 

here and there

Earnest, peering through the glass,

as if wanting 

to find a way to pass

Into a place

yet unexplored.

 

It is strange, I think,

that he does this only

every morning 

at a certain time

while I lie in bed,

watching the light 

change on the hills,

clearing my head 

from sleep.

 

It seems as if he wants 

to enjoy another world

That appears unseparate

from the rest of 

what he knows

yet impenetrable.

Perhaps, I speculate, 

it is his morning practice

Before he starts

his work at eight.

 

In the evenings 

In the apple trees

he sings a two note song

cheerfully for hours

telling all who have ears

that these are his grounds

for the hunting of bugs

and the enjoyment of bees.

His trees for perching

and guarding his nest

HIs place in the space 

of the world

where he and his mate

feed new birds 

to move through air

who knows yet where.

 

And there was that moment

when the sun had not yet

filled every molecule

with its warmth

that I walked out 

to check the garden

and, glancing back at 

that window 

where this play

had just unfolded

through my window on the world

in all that changing light,

I saw instead a hole 

in the face of the wall

Filled with all those apple branches

I’d been seeing from my bed 

Unblossomed by late spring

Reflected now as if they grew

inside.

 

Just the way the bird, 

I knew just then,

sees a darkened space

with a male bird

just like him, 

flying through,

who must want, 

he’s sure 

to emerge from some other 

mysterious place

and take on all 

that he himself defends.

 

He flies at it. 

As if the peace of all

depends on driving it away

but the other 

just advances still

and retreats

until it, too, tires 

and sinks to rest

Down upon the sill.

 

There is no defeat. 

He does not decide

to fly away.

He must continue 

‘til a human sound

from another world

so loud

drives him from the fray.

 

Is it just a stupid bird

whose mind is just a rudiment

of ours

or do we all

lie dreaming on one side 

or another of that

mysterious space unknown

Finding impediment

to our flight 

just when we thought 

there would be none

As creatures of a planet

who all fly relentlessly 

against  illusions

until their time is spent?

 

Then throw the window open

And let the bird fly in

You’ll laugh out loud

To find those worlds 

help separate, secret

Undefined

With wildness

Are unbound.

 

Will Clouds Bring Rain

Two mugs of milky tea

In the morning

Waiting for the inspiration 

of the minutely marvelous to take hold

I try to catch the dream

That had followed me

back into sleep this morning

before I reopened my eyes 

to watch the mist unfold over

that now so familiar meeting 

of two hills

Where trees, some dark,

some light with spring’s still

clinging emeralds

Flow down the curves 

of two of earth’s ample breasts

To meet  where the heart beats quietly

In the middle 

of that soft, dark-pined chest

 

The dream flows in mists

Of thought

That quickly drift in the breeze 

of morning’s sun

The feeling of it catches behind 

my eyes

Its fine thread elusive 

A skein unwinding much too fast 

to catch the end and

It is gone.

 

There is a brief time of sun now

Between the rains

That have become 

the norm of May 

In this, the beginning of 

mighty mountains.

There is a moment

Of strangely marvelous 

bright green peace 

while the neighborhood cat

prowls the lawn 

and pounces suddenly

hoping it has caught the mouse

that  in reality moved 

much too quickly to be trapped.

Paws outstretched, he waits 

a moment to be sure

and then moves on, undeterred 

by any shame

to find another small scratching

somewhere in the grass.

 

Yet soon the green begins to dim

As the tall bright clouds 

with inner souls of darkness

Rise up in majestic 

dreamlike languor, merging here and there

to diminish whatever space of blue 

remains.

 

One never knows, they say,

here in the mountains,

Whether the clouds 

will finally bring

the heavy streams of rain, 

or pass over, in their own time,

Outside of our time 

With only their sad greyness

that we retain

as some strange feeling

of unease 

Left as if by some fleeting 

and yet haunting 

dream.

 

Dark Clouds

 

 

 

Clouds will always make

a forbidding show

when they gather in their 

magnificent forms

of grayness

In all its shades 

save the darkness 

we know 

as night

 

But the light they hold

so delicately 

in their mistiness

can devastate even 

an iron heart

and the rain that may come

Oh the rain!

 

May it come first 

in  big drops

that fall on your face

and run down your cheeks 

Like the tears 

you cannot hold back

and be followed by the downpour

that washes through everything

and leaves nothing but

clean light 

and the soft molecules 

of brown earth.

 

May these then become

The luscious liquid 

of mud between your toes

that calls you back 

to that time

when the world was nothing

but fracturing rays from 

the brightest star you knew

And you never wanted 

to put on your rubber boots

But wanted instead

to be showered with 

all that liquid light

as you slid gayly along

In the after-rain morning

Oblivious of all else.

 

“Personnage”,  Picasso 1971

Simone

It’s raining in the foothills of the Pyrenees. It’s been raining on and off for a couple of weeks and the trails through the woods are deep with squelching, slippery mud.

High up on the road towards the Gorge de la Frau, higher still up a long trail by a stream, concealed in the woods there’s an ancient hameau, two or three stone houses joined together with a big stone and wooden barn. If you sit on the bench made of three big rocks to the side of the door of of the main house, with the view of sweeping green hills and valleys, limestone outcroppings like sentinels here and there, a peace overcomes you like the sense you have when you’re settling down to sleep under a down comforter on a cold night. It settles deep. And on a clear night in summer, the stars cover the blackness so thickly that you yourself become star light.

In that biggest house lives a woman who raised children there and saw them have their own children in the house next door. The other house and barn are now abandoned, falling a bit to ruin.  In another time, when the was life in all the buildings, the children went to the school in the village three kilometers away, down the steep climb in the morning and up the climb in the evening. The woman cultivated a large vegetable garden and she and her husband and the children grazed cows and sheep. Over the years, she planted beautiful rose bushes and fruit trees and flowering trees, and each year the perce-neige, calendula, columbine and poppies thrived in the southern exposure on the hillside.

Her husband died, her grandchildren left and her children went to find work and maybe are now dead themselves. For many, many years she has lived there on her own, healing herself with plants from the forest, drinking the spring water, cultivating the vegetables and fruits and living in peace. Her great-nephew, it’s said, brings her groceries once a week.

She’s approaching a century of life. In the quiet, her spirit has spread gently. Only a few know she’s there. While the chaos of the world gains energy every day, her peace exists like a well .

I will imagine her life. There is nothing of what we count on in modern life. No computer. No cell phone. No television. Maybe a radio. I imagine she is connected with the layers upon layers of women who have known these woods, who have endured through wars, through famines, through long winters, through deprivation and through the bounty of good years. How does time go by? Does she read? Does she dream? Is she busy with household chores? Is there a cat to sit on her lap and dream along with the rhythm of their breath?

She came when she was young and walked strongly up the trails. Her husband was still new to her when she came. It was a time when mills and little textile factories dotted the villages, before it all began to disappear, the mills sold off to China.

I see her, standing in her vegetable garden, shovel in the earth, stopping to gaze out over the hills in spring, the forest cherries blooming like tufts of white fog, wildly here and there. She thinks of the red rose bush she planted the week before next to the stone frame of the front door that will climb and surround them as they walk out on a summer morning. She dreams. She hears the voices of her children, coming up the trail from the school down the valley. She knows they’ll be hungry. She drives the shovel down into the earth to turn and walk up through that same door to the dark kitchen, passing the patch of daffodils, where she’ll give them a piece of the croustade she made yesterday from the last of the apples in the cellar and a cup of the milk from the cows that graze the hill.

She lived, I’m imagining still,  an ordinary country life there in the 50s and ’60s, with the rounds of early mornings that began in the kitchen where she lit the wood fire in the cold of winter and even on the cool mornings of the spring in the Pyrenees. There was always plenty to do getting the children off to school, milking the cow and maybe a goat or two, tending the sheep, weeding the garden, preparing lunch. After lunch perhaps a brief rest or a visit from a neighbor from Pelail, the next hameau up the hill. Then more chores and the return of the children from school in the village, a light supper and early to bed.

In the 80s she became the grandmother of the now two households. The prosperity of the region was fading fast. The meadows full of sheep were vanishing. These sheep  kept for the weaving of wool, a tradition for hundreds of years and a thriving industry for the last century, with the countless textile mills, big and small, driven by the power of the running river, l’Hers, were disappearing as if erased. The meadows were being gradually replaced by plantings of pines and spruce for the timber mills  converted to use the same power of the water of that green, mountainous domaine of the Ariège.

Sometime in the intervening years, her husband died, leaving her to make her way with the help of whatever family remained nearby, splitting and carrying her own firewood as long as she could, then perhaps warming herself with a gas heater brought up by her great-nephew or a friend.

I hear that last month she somehow fell and broke her leg. She’ll move to a residence with other pretty independent elders in an old stone house bordering on the open fields of an old farm. It’s been converted to a few small apartments with visiting nurses. It’s down in the valley, but still in the foothills of the Pyrenees, only about six kilometers from her home, as the crow flies.

All those flowers up there will begin blooming soon. Maybe my imaginings are skewed but I think her gardens will yearn for her as the rose bushes go untended and the fruit trees drop their ripeness, ungathered, uneaten. But I’m sure she will drift off nicely, remembered by the fields and the stone bench by the door which will all carry forward the imprint of all she was as she passed through life.


Snapshots: One

Photographers suffer from something I call febrile frustration. You’re passing by in a car and you see a perfect scene you frame and capture in your mind’s eye. You can’t stop to capture it–it was too fleeting anyway. A grouping of people with gestures and expressions that says something profound in that moment. Light striking just so in the wind. A man in a long coat passing by a building with such a wonderful play of lines and angles. Or perhaps you’re sitting on a wall of a fountain somewhere in a European town and the way people are leaning in together at the cafe across the way would make a shot that spoke volumes. But pointing a camera would be an unforgivable intrusion. Writing, on the other hand, requires only deep concentration on the memory of that moment, recapturing that which was embedded, at least temporarily, in that keen eye of the mind. You just have to look into the unbounded space within.


One

Walking down the sidewalk on a Sunday morning-three small children cavorting in a little group, waving new, brightly colored whirligigs, prancing a bit, laughing as they turn towards each other, faces bright, joyful, all in puffy coats and fuzzy, variously colored hats against the damp chill of the weather and the grey of the sky. And a woman, evidently the mother, bundled up, walking alongside them on the wide patches, eyes looking forward but inward, serious, a bit of a wrinkle forming at her temples and between her brows. She must have taken the kids along to the cheaper grocery store down the road before it closes at noon since she carries a heavy shopping bag in her right hand. She has, as mothers do, bought the children something to delight them and entice them to accompany her on an errand they would otherwise resist. She has, in doing this, protected them against the boredom and worries of the world she inhabits, not only in body, but constantly in mind. She can still divert them from what she clearly cannot avoid. It is as heavy as the package she must transfer from time to time to the other hand. The children, as close as they stay by her side, clearly still inhabit a different universe. She knows she must somehow will that to continue.

Filth and Darkness

We are floundering 

on the shores of chaos.

All the normal pain of life 

that we have arranged

and turned to 

and away from

has lost its sense

in the face 

of the stunning loss 

of all 

our compass points.

 

The north of cold and blue truth

is shifting so wildly

No explorer 

can set off for its pole.

 

The south of warmth and compassion

is hiding deeply, 

scared silly of its shadow,

the craven violence.

 

East and west 

have traded places 

with such alacrity 

that the globe no longer knows 

which way to turn.

 

We cry out into the darkness.

craving some way to know

if the birth of some child 

Is coming,

With all this violence

this writhing, this dying.

And still 

the pain drives home

Again and again.

 

To make our way through 

we turn towards the sordid, 

the darkness

The underbelly of it all

watching in fascination as it

Illuminates black screens

Runs in letters across headlines. 

As if we cannot tear ourselves

away from the horror 

of the mess we are making.

And must peer strait into

its most filthy depths 

to become its familiar.

 

That perhaps by

smelling it, tasting it

Rubbing it in our eyes and ears

We may somehow

Incorporate it and 

transform it with the very

Magic of our terror 

 

Yet still, there’s another way 

through the filth

The darkness and 

the horror.

Like playing in the waves

of the ocean

We can dive under 

The crest of that

Great undulation

that could otherwise 

Smash this tender body

to a pulp

To find the stillness 

below the noise breaking

above us

And get lost in the vastness

of that beautiful

Liquid universe,

That light.

 

As the mother, 

birthing her child,

dives into the waves of pain

to meet the ocean

of all beings

that have ever 

arrived.

 

The Lake at the Obsidian Fields

 

The surface of the lake before me

Is still and blue grey

a liquid reflection

of the infinite sky above

 

For the moment everything is at peace

Breathing calmly.

 

The depths the water

appear slowly

below the shimmering surface

as a fish glides along rounded rocks

 lying at the bottom of the shallows.

 

And gradually, the light penetrates

here and there, traveling out

towards the craggy island

creating impressions now and then

of all that floats and swims 

in the liquid layers.

the rocks in the clear depths 

and the lake weed,

drifting.

 

There in the middle, it is very deep.

Down to the darkness

where carp lounge,

gills opening and closing

in the rhythm of the heart;

A white egret flies over, silently

and soon another follows

and a third.

 

The water spreads its depths

voluminous, uncharted

from forests on the right side

to rocky shores on the left

where oak trees, ancient and twisted

gracefully arch

feflecting themselves 

In the luminous water.

 

All this now is inside

The outside is inside

And the inside outside.

The air has opened 

The gateway

That allows dreams to pass.

 

Portrait of a Woman with Green Stripe: Matisse 1905

 

We are composed of color

Fundamental color

Made of light.

 

Such mystery in blocks of green

Of orange, violet and black

That, coming together

On this surface, flat yet

Never there,

of canvas cloth,

Create such life and spirit

that, waking every moment,

never dies.

 

Occupying no time and

Evidently no place

A being whose penetrating gaze

Dark eyes, dark brows

Divided by that perfect streak

of  green of sea,

Comes to look within us.

 

Everyone who sees

Absorbs the knowledge

She transmits,

With steadfast view

And silent lips;

Of self

from which nothing

Whatever in the world

Can hide.

 

Back to it

The rain has come with its beautiful fragrance of oceans and air, everywhere present wiith the first big drops that fall on my summer shirt as I pick raspberries.  It makes me feel the writing in me, pushing, stirring. Where will it come out? Through an ear? Through an eye? Yes. The eye that caught a glimpse of a particular shade of deep blue of a car just passing. Much better really to use the word apercevoir, which has the sense of perceiving something quickly, something suddenly touching your consciousness through some impression on your senses, something so fleeting that you nearly don’t perceive it. J’ai aperçu le couleur bleu foncé and now it has left an impression like a taste I can see and recall as if it exists somewhere inside the space of my chest.  I can breathe it in and then send it out through my  throat and my nostrils into the atmosphere of the air of the village now glittering with rain. 

 

I play with the color for awhile, sending it through the space left under my neighbor’s electric shutters across the road, in through the chimney of the man with the big Doberman dogs that bark, sending it like a trailing cloud behind an anonymous car passing by, making that light squelching sound through the puddles. Then I pull it back inside to feel its texture inside my throat and then let it dissolve into its essence and become part of my blood and marrow. 

 

I think about the English-speaking women I spoke with there at the café under the platane trees near the river. I taste the flavor of them,  the spice of one enough to wake me, the other flavors, delicate, herbal, wafting off to be dissolved by the wet drops and wash eventually into the river. The one with a bit of spice tastes slightly of sorrow and fatigue, with a lingring pungent undercurrent of a clear, sharp look at the life in which she swims. 

 

And the rain keeps coming. Who would have believed it, even as late as lunchtime that the clouds (that have cheated us all so often of late) would actually let down persistent  wetness for an hour or more on end. The gaping cracks in the dry earth must feel the drops beginning to round their edges, loosening the particles of dirt that will now begin their slide downwards into the gaps, pulled by the gravity that made the wetness fall from up above to down below. 

 

All this is happening while the wiry, robust young man who drove his other-kind-of blue car madly into the parking area across from the café around noon, slammed on his brakes, burst open his door and walked with long, strong strides across the road to the terrace of the café, is probably sleeping off the alcohol that had pumped up the blood in his head enough to come storming after a woman who he probably had thought betrayed him, ready to put his strong hands around her throat. And the older man, perhaps his father, who had flung open the passenger door when they stopped, striding behind the younger man to back him up, is probably at the Saturday local afternoon pétanque match , sitting on the sidelines, steaming to the other old men on the bench, telling them the story of how he and his son gave that woman what was coming to her, glossing over the humiliation of being moved on by the equally robust Spanish café owner.

 

And I imagine that the rain, gently wetting their t-shirts and gradually diluting their “pressions”, eventually brings the old man to silence as the sound of the pétanque balls, clicking against each other,  becomes the background to his thoughts of supper and an evening spent in front of the  glowing tele.

 

Earth Waits

Earth is waiting patiently
To take back
All the minerals
all the fibres
of this body
That were borrowed
On a contract
limited in time.


An arrangement
with the force of gravity
To yield up just enough
to let it rhyme
And move about
within its mighty field
leaving little trace
While earth continues
quietly to rest
Within its calm
embrace.

And meanwhile, air
has silently agreed
To pass through
this funny thing,
the nose
and be drawn
into these stretching lungs
Which then pass on
that precious gas
To mingle once again
with earth
and thus allow
The magic dance of life
to continue
for a space.

And water runs
as is its will
With grace
where it’s allowed.
And fire fuels the dance
to keep the whole dang thing
in spinning motion
While what I may call I
continues in its race
To understand its place
Before earth and water
Air and fire
Let go
of such a notion.