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Winter Light With Birds

In the morning
what looked like rain
sparkling in the air
was just the light
crinkling
through the little bits of mist
Here and there
As the sun broke
over the southern hills

Now the warm planes of glowing light
Have settled so briefly
Along the tops of the hills to the east
Lingering for a few more moments
in the north
Before fading
into grey.
The air is dimming,
Drained of sparkle.
Quieting.

In between these moments
of shifting light
The winter warmth radiated
from the pure blue
And birds flew
in all their crazy patterns
In, this, the same world
we seem to inhabit
But yet in another perhaps
Entirely.

Those birds,
Ignorant as they seem
of the thoughts
of all of us
in these strange blocks
of stone and wood.
Not heeding our motions
except in odd moments
of curiosity,
perched on a wire,
Watching.
As when we stop
to hear the sounds
Of what we count
as song.
.
Here we are.
Our lives stretching out
This way and that
through the air.
On the wind
we sniff the fragrance
of one emotion
Or another.

A message across the room
Or across the globe
Thousands of miles
Carried by the light
By the wind
By the air.

Random.
Like the flights of birds.
Finding its mark like
the falcon,
Soaring then plunging down
through the warm
afternoon sun.

 

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A New Year and A Memory of Violets

The year is quickly coming to an end. I suppose we have a need for beginnings and endings, however arbitrary. The world of people around me seems paused, a bit listless, waiting, relaxed but a little bored.

Here, they are anticipating a feast on New Year’s Eve, perhaps some inebriated viewing of fireworks down by a lake. For me, it will be quiet, one day just melding into the next.

The ground is covered with frost these last few mornings, the sky clear and blue-grey until the sun rises high enough over the foothills to fill it with that intense yet evanescent blue of winter. Last night the moon hung there above the mountains in its most fragile form, the slimmest crescent facing Jupiter, the two sparkling and exerting their magnetism, one towards the other. A concert of such delicacy and jollity that it was almost unbearable.

Things are beginning to hum a bit now as the village comes to life in its Sunday form, some people driving to the boulangerie before it closes at noon, only to reopen on Tuesday. One or two quietly, almost secretly perhaps going to church in the town nearby but more going to hike somewhere in the mountains, their “batons” stored in the trunk. Soon there will be cyclists going by, just one or two now and then, not the chatting groups of summer, coming one after another down the road that lead up to Montsegur.

This is my occupation as I sit, not disturbing too much the bone that is mending itself stealthily with new cells somehow, deep inside, blood carrying the materials where they are needed. Who knows?

This afternoon I lay down for a nap in my study, the sunlight streaming in the southern window, a chill still in the room. In the moments of waking, the great luxury of it bathing me, the little memories of a Christmas some sixty years ago floated in on the particular quality of the light.

When I was some eight or nine years old, my father gave me a box of candied violets for Christmas. What else he gave me that year in the usual extravagance of his Christmas giving, I can no longer remember. There were certainly marzipan figures of Santas and snowmen and apples and peaches in my stocking and expensive toys under the tree, but it’s the beautiful little hat-box-like container with a violet colored satin ribbon handle that captivated me.

When at first I unwrapped it, I remember only the delight of how pretty it was, violet and cream with clusters of painted purple violets strewn around on the label. The words on the box were in French, a language I’d already begun to learn in my enlightened school. My mother spoke French and taught it sometimes in the schools where she worked. She read aloud the writing on the box as she pointed to the words, “Les Violettes de Toulouse”.

Entranced by the evocation of a city far away, I gently worked the top off the cylindrical box. Inside, cushioned in violet-colored tissue, were the purple violets I knew from my days of playing near the stream where they grew up in the grass and between the rocks. I picked them for decorations for my tiny rock villages. But somehow these had been transformed into fragile-seeming crystal rocks. A fragrance of sweet flowers and sugar, somehow a bit musky like the leaves of the forest floor. Pulling back the tissue, I inhaled and inhaled again, sitting cross-legged in front of the Christmas tree, The light in the big windows of the living room warming my cheeks, I touched them, all packed together, crunching a bit against each other. With my thumb and finger, I pulled one from its nest and put it in the palm of my hand where I could study it better.

“Eat it!” said my father.

“Really?” I asked, aghast.

“Yes,” he chuckled. “It’s candy made of real violets.”

I put it in my mouth. The sugar began to melt, carrying with it a flavor on the tongue of that fragrance of the sweetest of flowers, of spring forest and sunlight, of gardens from picture books–a revelation. I crunched it a bit between my teeth, a delicate crunching like nothing else, a little explosion of a flavor sweet and touched with the slightest acid of green stems.  A treasure from France.

For the next month, as school resumed and the days became ordinary once again, it sat on the dresser in my bedroom. Each day, going to my room to change out of school clothes, there it would be, that exotic box, waiting there. I’d hurry, and half changed, eat just one, letting it melt on my tongue like that first moment under the Christmas tree, recalling something extraordinary, something of another world.

I wanted to make the box of them last forever, but, of course, well before spring, they were gone. The empty box with its tissue paper sat on my dresser for years, a hiding places for treasures, preserving just a small whiff of the fragrance of France–violets.

Now this memory transplants itself to the Toulouse I am getting to know, a city of rosy red brick buildings, of a beautiful tea shop, a cozy restaurant, a beautiful square, parking garages, spreading banlieus and streets filled with university students and demonstrating yellow-vests and police barriers.  A place where, at a Prefecture in an office building, we got the Cartes Sejours that allow us to continue to live in France. Now I remember it is also the city of violets, the city of those transfigured flowers.

The light recedes onto the eastern hills, rosy. Another day is passing. There will be a fire in the woodstove and dinner with vegetables from the garden. Somewhere in all of this a transition must be happening, a movement of one cycle into another, spiralling onwards.

 

 

 

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The Dream

 

“Swim,” I said, “Come swim  with me!”  

 Soon tide shifts from dark to light. 

 We float adrift in some vast sea

 Where forms are hazy, lost from sight. 

 

Here we dwell where even stars

 In their nature are not bright 

Seen through remnants of desire

Present only through some sense 

Drawn from nights we spent with fire. 

 

Time is done, this space untethered, so immense. 

The forms of day can only catch us 

By setting subtle  traps of pretence. 

 

“Swim,” I said, “Come swim with me” 

The passage through from night to night

 Is sought in dream and memory. 

 

Nothing hold us from our flight 

Through dim, cool tunnels drawn by tide

Concealed from senses smell and sight 

Discovered only when we slide 

Through some great hole unknown by mind 

That travels inside to inside.

 

Here where we drift, we’re far from blind 

This nothing is where sight begins

 Here exists the unconfined.

 

Swim with me. “Come swim with me!”

Dark is drifting into light

Let us surface from this sea

Yet hold the vastness of this night. 

Let us slip the reins of earth

That grasp and clutch to hold us tight.

 

Swim the swelling of that well

And in the silence calm and deep

Float where only being dwells.

 

dav
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The Body

There comes a time when, in the life of anyone who writes anything, it is the moment to write about becoming old. My time has come. The telling begins in small pieces, travelling around in the infinite spaces. It begins with the body.

Interesting now to stand back in the vastness of my mind and view this body I have both loved and contested for so many years. I have never liked to view it as if from the outside in photos or in mirrors. I can look at it only from far away in the shop windows in cities or as a ghost in my train window as the whole huge machine passes through the darkness. Only then does it appear as the spector it must be.

I “see” it mostly from the inside, my view of my hands, my legs, my feet the indicators of its boundaries. I feel the periodic and rhythmic surging of something in the middle of the space I seem to occupy. I sense tinglings and aches that seem to come from different points in that small bubble.

Ever since this bubble first floated to the surface of this particular world, I have spent most of the time being only that bubble, aware only of what it contained and how it bounced up against furniture, other bubbles, breezes, heavy winds, always trying to float up and away but finding that some force kept it trapped.

It is a body that has piloted my awareness and allowed me to experience the great joy of the senses. It has done miraculous things like master the coordination of nerve impulses necessary to walk, to swim, to ride a bicycle, to dance with abandon, to play a flute with some proficiency– at some point even to run.

It has never been able to coordinate with any brilliance the impulses from this brain with its movement of sinews and muscles, lungs and heartbeats, but it has done well enough to move me through a brilliant array of encounters with the life all around it.

In the past few months, it has become increasingly obvious that it no longer has the resilience I have counted on since the “I” of it began.  As appendages appear in view, it is clear that the strange stuff that covers them is drying out. There are strange discolorations. The molecules of the muscles, sinews, ligaments and bone are no longer fresh and flaccid, vibrant with life.

Despite all the lovely vegetables this stomach receives from our garden and converts into humming nutrients, all the little spheres and globules, the pulsating atoms of this bubble are slowing.

All their infinities of activity have brought me here to a place far away from their habitual rounds–to a place where the very air they draw in vibrates with the lives of so many humans. The place is thick with the stories they left in their wake like lines of forgotten poetry covering the floor. For aeons, these other bodies trod over these paths through these hills, drank this water, listened to other generations of the same birds, spoke words, sang songs, loved and died in every way imaginable. Although it knows it will likely be floating around in this environment for some time to come, drinking it all in, t

his bubble that I have called “me” has begun to sense it is joining this coming in and going out, that it too will burst, leaving drops of an essence that perfumes the wind. Begun to accept.

 

 

 

 

dav
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In Cahors

We are on our way to the Dordogne, the refuge of the Neandertal, the land of the caves where the ancient humans painted and carved on walls tens of thousands of years ago. The beautiful, rich valley of that big river, lined with limestone cliffs. On our way to finally see Lascaux (of course not the cave itself where we nearly destroyed the artwork of the ancestors before closing it off, but the elaborate replica, Lascaux Four, there at the base of the hill where the cave itself sits, closed to all but a few occasional scientists in moon suits). On our way to the valleys of the Dordogne and its tributary the Viesse, we stopped for a pique-nique in the city of Cahors.

We drove in the way we had come four summers ago when we were wandering the area, looking for a new home. We remembered the cafes by the river, away from the flow of the big old buildings of the city, and the trees that will flower later in July. We turned to the left to stay close to the river and settled on a spot with benches that looked over the water to the cliffs beyond, old houses with their clay tile roofs nestled at the base of the rock, next to the river.

It was just beside the road, but it didn’t really matter. There were trees, grass and rose bushes. We found a bench beside a fig tree, poured ourselves some wine, brought out the bread and cheese and olives, ate and watched the parade of humans, cars, buses and bicycles.

When we had almost eaten our fill and were pouring a second glass of wine, we each, in our own way, gradually became aware of a presence quite near us on the lawn. I had hesitated to turn and look, sensing it might be some semi-wild creature we would scare away. Walter had looked. He turned slightly and touched my leg. “See that woman? She has a parrot in the tree.” I turned squarely to see.

“Bonjour”, I said, suddenly unsure of the gender to the person who stood there, close to our bench, chopped brown hair under a nondescript cap, loose-jacketed, looking up at a big, brightly colored parrot in a fig tree beside us.

“Bonjour” replied the person, the voice either male or female, a bit rough. The parrot looked at me, cocked its head and squawked.

“Il est curieux de vous.” the person explained, glancing quickly at us and turning back to the bird.

“Comment dit-on ‘parrot’ en francais?” I wondered aloud.

A blank look passed quickly over the face turned towards me, incomprehension.  Something in the eyes, perhaps a directness in the brown-eyed glance, made me recognize this person was a woman.

“Quel es le nom de cet oiseau?” I stumbled.

“Bertrand,” she replied. “Bertrand, mon perroquet.”

Confused for a moment, I thought, no it can’t be a parakeet, it’s too big, then remembering some lesson I’d had with the French word for parrot, I said,

“Oui, perroquet! Il est beau avec le rouge et le bleu et le vert. Quel âge a-t-il?”

A small smile of pride, just a hint, appeared on her face as she calculated the length of time and then replied that he was thirty-four years old. I translated for Walter, who was picking up much of the meaning already. He said,

”I wonder how long parrots can live? That’s pretty old.”

I asked. She said with some confidence that they could live to be about fifty but most kept in a house lived to be about forty.

“I’ve had him since he was a few months old,” she told us, with an accent that seemed part of the air she had breathed since a child.

We talked for quite some time, learning that he like being outside and would not fly away, that he couldn’t say any words but imitated the bark of the neighbor’s little dog quite nicely, that he sometimes imitated a laugh from the television.  It was clear that this bird had been her closest companion for all those years. We learned somehow that she watched movies about the old days in France. In fact, she watched a lot of old movies on her TV at home. She had been born in a nearby village and lived in Cahors all of her adult life. There was much I wondered about her life but didn’t dare to ask, what she had done, had she been married, did she have children, what kind of home did she have.

We told her we were going to the caves at Lascaux, about a hundred kilometres north on the Dordogne River.  Her round, tanned face crinkled. She had heard of them, of their paintings, but had never been. It reminded her somehow of a movie she’d seen about men who wore plumes on their helmets. She had been to Toulouse with her father once or twice she remarked, hearing we lived further south, near the Pyrenees.

Our conversation could have stretched on and on. She was clearly content to have our interest. We could have become acquainted. But the road called us, the paintings in the caves, the river itself. We made our excuses. She motioned to Bertrand who sidled up the branch and jumped to her shoulder where she snapped a leash on a ring around his leg.

As we gathered our things she stood, watching, Bertrand squawking, impatient. She waved, unmoving, as we walked toward the road. “Au revoir!”

“Bonne journée!” I called back.

For those moments, walking away, I was filled unexpectedly with a certain kind of joy. Having seen through the window of her eyes some part of a life, some flicker of recognition beyond the filters of language and culture, I was stirred, happy to be able to communicate in my imperfect French. As we climbed into the somewhat battered car we’d bought a few months ago here in France, I looked forward eagerly to the next things we would experience on the road–together; the beauty of the cave paintings, the unknown stretches of a big river that had supported so much life for so long.

She, on the other hand, was probably returning slowly, by way of several familiar stops, to some small old house nearby, perhaps to chat for a while with a neighbor, then a meal in her kitchen and an evening to watch old movies with her parrot chattering in the background. Perhaps content. A good day. A recognition. Small things.

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The Mists of Fougax

There is a time when the mist here floats on the hills behind the house in the morning. As dreams mingle with visions of what we call the solid world, as I move from sleep to what we call waking, there is less division on such mornings. One morning the mist may be violet, sitting as if it were the warm breath of the still-sleeping hill itself clinging to the silence. Another morning like this one, the mist seems to float yet is without movement. Obscuring yet filled with light as the still colorless sky becomes infused so very gradually with the warmth from the sun rising over the mountain to the east.

There is also a time when one comes to a new place when the separation between that which we have come to know as our self and that which is not self is as imperceptible as the separation between mist and hill, mist and tree, mist and sky, between dream and the re-assembling morning world.

This morning when I was awake enough to tell my body to move and start the conscious day, I walked in my nightgown into our front room, a room lined with windows facing the road and a tiny kitchen space. As I passed by the windows on my way to the kettle, there was a flash of yellow at the corner of my eye. Two yellow-vested women seemed to be standing on the other side of our garden fence, in front of the row of rose bushes. Yellow vests. Signifiers of emotions and opinions which are not quite clear. A restlessness I cannot yet penetrate.

There’s a way in which the mood is turning, unwilling to continue along a disturbing path where the desires of the haves push the lives of the have-nots in ways they cannot control. As I went to set the water to boil for tea I wondered—was it this restlessness settling here in front of the house on the road into the village on a Sunday morning? Was it village workers responding to some emergency? The range of possibilities is as yet unclear to me, jumping into a new world of complexities woven over thousands of years.  The cues of a very different culture, cemented into my awareness since childhood,  can mislead.  And imagery of the yellow-vest is ambiguous even to the French that surround me. 

Then another flash out of the corner of my eye–a runner coming down the road opposite ours, down from the trail through the woods and turning left in front of our house. Then another and another, all with leggings or shorts, little backpacks of different sizes and all holding some sort of collapsible walking sticks.

Ah, yes, a cross country race! It began to come into focus. The women with the vests were officials, guiding the runners. The logo on the yellow vests became clear–”Trail des Citadelles.” They were running from one high Cathar citadel to another. Walter, about to come naked into the front room, forewarned, put on some clothes, looked at the situation in the road and said, “We have to bring those women some coffee.”

Moments later, two cups of strong coffee in hand, we walked out together to the fence and offered them. Both women, seeing the cups, said “Oh! Oui! C’est si gentil!” We stood for a while talking with them over the little fence as they greeted runners with “Par la. Tenez a gauche.”That way. Stay to the left.)

In my faulty French, I ask questions about the race and the weather. They answer warmly and willingly. They had been coming to this very spot every Easter morning for the past eight years, through the shifting dates of Easter and through rain, cold, heat and even snow. They had seen the house empty for four years in a row and were now glad to see it alive again. Today was just right. Fresh, but not at all cold. A bit of rain and grey skies, but definitely spring.

Back under the eaves of the house, we pulled out a couple of chairs and watched, dry, through the light rain as families with children waited to see a husband or father, aunt or mother come down the road to take the bend around the corner. Some on the course had already been running for three or more hours and faced many more. As each one was sighted, their small groups of supporters clapped and cheered them on. Sometimes the father or mother stopped briefly to kiss each one in their little crowd on both cheeks before running on to cheers of “Allez! Allez!” from behind.

Each interaction that connects us to this place, this home, that allows us to penetrate just a little into the life of the people here is like waking into one reality from another, dream to dream. The man who, for instance, has a beautiful garden at the other end of the village, where the river winds past the old mill and past green patches and lilac bushes. This man who was eager, when asked, to tell us all about the work he does to make a beautiful vegetable garden with rows of hoop houses and beautifully mounded potatoes and how he protects his cherry trees and harvests them and how he cuts and stores up his wood.

Or the woman standing just outside her door at the turning before the bridge whose little dogs barked at me as I passed, who said “Beaucoup de bruit avec peu de cause.” ( Lots of noise with little cause.”) We both laughed in the amber light of a sunset descending over the mountains around us, both touched by it in ways beyond apprehension.

Or the old man carrying in a huge chunk of wood through his blue front door who said “Ah. Oui, mon poêle est vraiment grand,” (Yes, my stove is truly large) when I commented on how huge it was, there in his old strong arms. The woman who gave me a ride in her little car she pulled out of the garage when I knocked on her door and said, “J’ai tourné le genou pendant la randonnée. Ça fait mal. Vous pouvez me conduire à l’autre bout du village??” (I turned my knee while I was hiking. It hurts. Can you give me a life to the other end of the village?)  Concerned, she asked if I needed to go to the doctor. When I said it was not that bad, we chatted on the way about the house we’d bought whose previous owners were her friends of many years

Such beauty to be found. Here we are in the midst of it. Eyes open. Ears open. Nostrils flaring to smell the incredible blossoms of spring. Hearts listening, wondering, caught by the intensities of sunlight through parting clouds, sense of self dissipating like the mists over the hills, stirring and waking from dream into dream. So many other realities exist. This is one.

 

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Paris

 

Paris.  A city.  A city with the ills of big cities. A city like all cities with a million individual worlds swirling around in its boundaries. A city with such flavor that the whole world holds it in the heart of its imaginings like some living treasure.

We went to Paris from our new home in the countryside of the Ariege in the foothills of the Pyrenees, from the fresh winds of the south to the stinking air of the Metros and wide streets filled with cars and buses spewing carbon monoxide. from the work in the garden and the planning for the work on the house to the city that is so richly imagined. Walter had never been. I had never been there with him, only told him stories of the Paris I had loved in its days after the student revolt.  We had just three nights in Paris.

We went to some of the usual places. We walked past the badly wounded Cathedral of Notre Dame where the smell of charred wood still lingers and tourists stand at the barriers clicking their tongues and discussing various theories they’ve read about the cause of the conflagration.

We spent a day wandering in the Louvre until our knees ached.

 

We wandered in the streets around the Sorbonne and the Pantheon in a thunderstorm and bought little music boxes in a wonderful toy store that we happened on in the downpour. We poked through the book stalls on the quays and browsed the books in front of Shakespeare and Co. We ate in bistros and sipped Armagnac in cafes while we made up stories about the people passing by. We walked under grey skies in the Jardins de Luxembourg and the Tuileries. We took the Metro to the Champs Elysee and bought a Paris umbrella to walk in the rain through rivers of water where the old cafes and the elegance are now lost to the visual noise of Mac Donald’s and Starbucks and arcades. We saw the Tour Eiffel looming as we went by the glamorous buildings of its neighborhood on the elevated tracks of the Metro. We spent hours in the Musee D’Orsay and the Orangerie. And I wandered in the neighborhood of Butte de Calle around our hotel, sampling the boulangeries, tabacs and epiceries while Walter rested—our usual routine.

And there we were, our first day, wandering in the evening near the Boul’Mich to see what had changed, pausing at the intersection at the corner near the Musée de Cluny, idly reading the affiche about the history of the place. Curious about the little ruin I could see through a gate, I popped in to take a closer look while Walter read. There, surrounded by the higher walls around the Cluny, in an obscure little place with a temporary-seeming fence in front of the stone ruins of the Roman bath, the sound and smell of the traffic faded suddenly and trees grew. A man of some middle age with an impulse similar to mine had walked in behind me and had gone to stand at the fence a small distance away. As we stood there quietly, wondering about the piles of stones, a bird began to sing, hidden in the greenery above.

 

Listening for a moment to its clear notes, a song that seemed not to repeat, going here, going there, lilting pure, I realized it might be a nightingale, the bird I have been waiting to hear for so long, a bird not heard in America. Impulsively, excited, I turned to the stranger there in the enclosure just off the busy thoroughfare of Boulevard Saint Germain, this man with a round sympathetic face, greying hair, unfashionable glasses and said, “Vous croyez que c’est un rossignol qui chant comme ca?” He listened a moment, head tilting up, and said, a bit uncertainly, “Oui, je crois que oui! C’est pas sur mais quatre-vingt-dix pourcent.” He turned to me and smiled a small smile. “Ici,” I said, “au milieu de cette grande ville?” He paused as we listened to the song still sprinkling down from one of the trees over the ruin and, nodding, said, “Oui, c’est ca, Oui. Je pense que oui.” and smiled again his small smile, turning only partly toward me in his deference towards a stranger. We listened for another brief moment, each smiling but not to each other, until the song ended and the characteristic sound of a Paris police car in the distance blended in to the sounds of the traffic going by outside the wall. We looked at each other briefly, smiled down at the ground, wishing not to look too directly at such a moment of fleeting intimacy and, saying our Au revoir, he walked through the gate of the enclosure into the street in one direction and I in the other to rejoin Walter on the corner.

 

And then, our last evening in Paris, after a lovely romantic dinner near the Place D’Italie where we shared a bottle of red Corbieres from our neighboring region of the Aude and ate duck and perfectly cooked steak (a rarity in France), we were walking back to our hotel when we noticed a man filling a bottle at a big metal spigot in a chrome structure in the middle of a small square. In our village in the Ariege, there is such a place where, although the water is not monitored by the city, it is gathered in bottles by the locals in the same way- from a metal spigot in a stone basin under a sign stating Eau non-contrôlée. Coming down the hillside above it, spring water untreated and uncontaminated by livestock is preferred by the locals to the village water. Watching the man filling a bottle from a spigot set in a public place, it was hard to believe we were seeing a source of spring water here in the middle of Paris, here in a tiny park off the Rue Bobillot in the Place de Paul Verlaine two minutes walk from the big indoor mall at Place D’Italie. Looking at each other to confirm we were thinking the same thing, we walked towards the man still filling a bottle under the spigot.

He seemed neither young nor very old, bent there with his water bottle. Saying hello, stumbling over French vocabulary, I asked whether this water was actually potable. He was immediately animated as if waking from a dream to find us, and, saying, yes, it was good water, held out his bottle to offer us each a taste. We each drank, knowing the other had quickly considered and rejected the notion to decline a drink from a stranger’s bottle. It was good– fresh, cold and slightly sweet. He told us that yes, in fact, it was from a deep artesian well that had been drilled in the nineteenth century, still used by locals.

Reading about it later, I discovered the well is near the Bievre River, where it dumps its overflow in times of heavy rain. The river, still flowing into the Seine, was covered over a century ago and now was somewhere under our feet as we walked. In the lovely old yellow and orange brick building on the park marked Piscine, an old pool draws on the water from the well. The man leaned on a pole to talk with us, saying he had grown up in a nearby neighborhood with a French father and Japanese mother. He had lived abroad for years and worked in environmental engineering. Now had come back to his native Paris where he felt he belonged. We talked more about our farm in the States, our move to France, our shared interest in the environment and water. Each invigorated by the encounter, we said our goodbyes, exchanged compliments and went our ways. As we walked away to go back to our room for our last night, still a bit drunk on wine and happenstance, we talked about water, always so precious to humans, the element around which they gather, how it flows through our village just as it does through Paris, still seeping up in this neighborhood of Butte de Caille, fresh water now more rare than ever.

 

Here in France where the Neanderthal evolved and lived skilfully till gradually overpowered by the modern humans with their complexities of language, we have gathered around water, rivers and coasts, lakes, springs and streams. We learned long ago to build systems to distribute the water and irrigate crops. But the water that comes directly from the source is the most precious of all. There it is, flowing pure in the midst of the sewers and roads and endless buildings of Paris like the improbable song of the nightingale and the small smile of a stranger with a round face. How we may come to count on such quiet knowledge of the essentials of life, stored by communities against all odds.

 

 

 

 

 

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Observing the Anglers’ Surface

When I was a small girl I discovered the interior world of puddles.  It was perhaps for me the dawning of consciousness.
My first discovery. The awakening to the wonders beyond the ordinary, beyond mother and father and the hard surfaces of Brooklyn sidewalks and the contained universe of a front porch, beyond even the wonders of carousel horses, walks to the delicatessen beside my enormous father or the dark, sinewy jaguars in cages.
One day I just saw it. Walking somehow by myself, after a rain. Here was a world no one else knew, unexplored. I could stand beside the watery expanse, big or small, and look endlessly into worlds of shimmering trees and clouds. In that world, there was even the watery presence of someone else with brown eyes and short blond hair, someone who seemed to understand me well. I wandered and wandered down and in, beyond the seen into the unseen.
Later I dove deeply into books in the same way. They were worlds of my own, unexplored by anyone else, intensely known. Even later I began to find other people who had read the same books, explored the worlds the words somehow projected, experienced them in some way inside of themselves. It was a revelation. They had experienced something I thought only I had experienced. Was it the same experience? Was it different? How could I get inside them to know? These people who had also read were even more unknowable than the world of puddles, more impenetrable.
Maybe my world of puddles in known by the people who fish. Maybe that is what they explore there on the surface of the rivers and lakes, there on the anglers’ surface. I watch them standing in the river here that flows through the village, past the bottom of our garden and beyond, through many villages, standing there in their high boots for hours on end. There is so much in that clear substance, so many layers. I try to intuit what they see, to intuit the thoughts passing through their minds like the flow of the water itself.
I almost see it, then it shifts, out of my grasp, like the clouds that pass over and obscure the watery reflections.

dav
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We Move (With Stars) to Fougax-et-Barrineuf

When in the midst of danger, it is necessary to clear the mind of fear.

As I look out into the clearing sky, clouds drifting through blue in a silent etheric wind, clarity is all there is. Even the grey of a floating cloud disturbs the mind for only a brief moment in its passage through the window frame.

In the middle of the night, a memory of a possible mistake the day before jolted me awake, its voltage striking out from the world of dreams. At first a gaseous cloud of foreboding, the lights switching on one by one in the rooms of my mind quickly gave it form and color. Consciousness, fully activated, was pulled, as if by some magnetic force, to circling thoughts of all the catastrophes this one mistake would generate. I had no doubt I was doomed. From that small rotten seed, rot spread out in larger and larger circles until the whole world was nothing but rot, crumbling away into nothingness. “No”! I almost called out. Not wanting to wake my sleeping partner, I called silently on all the forces I know, the forces of beauty, the forces of comfort and tenderness “Absorb this!”, I called out in silence, “I’m only one tiny atom in the ocean of life. Let this rot disappear in that endless sea!”

Just then, a flash of light in the black sky through the window. Just at the meeting of dark hill and dark sky, a comet had burned in the atmosphere. Just there. Just at that moment, it’s particular light had reached my particular eyes. It’s just like this that things burn away as they rub against the molecules of air. “There,” I told it silently. “Take all that mess! Take it!” In true comic book fashion, the explosion of light that had happened in some flash in some moment long past blasted the mass of rot to smithereens- “POW!”. Then, reciting to myself all I knew of the basic childhood lessons of falling stars and luck and wishes, I let myself be comforted. I passed back through that hazy boundary, never remarking the passage. I floated into sleep in this still strange house, in this still strange village, in this still strange region of a still strange country.

The cloud of grey anxiety still floats around me like a swarm of gnats.  As I did with the ringing in my ears, I have taught myself through long practice to use the immense space inside me to push that fear out beyond the curves of the infinite The “it” of it then exists no more. There is only empty space. I hear only silence. The sounds that penetrate through the delicate bones of my ear dissolve with more than imperceptible immediacy in that vast quiet. They existed but never did.

Then another night arrives and I’m awake in the middle of it, looking out once more at the dark curve of that same hill, stars bright above it in the frame of the bedroom window. The long-handled triangle of Cassiopeia is balanced on two vertices just above the horizon of the hill, the line between the two piercing points of light perfectly parallel to the gentle curve of rising earth. In drowsy relaxation, I watch as the whole delicate edifice of the constellation settles ever so slowly onto the hill. As I drift and wake, I see those two stars are vanishing like bits of smoke into the dark mass of the hill. The whole spaceship of the beautiful queen is sinking imperceptibly into the earth.  I shiver, smiling, and pull the covers around my chin, feeling the wind of the earth speeding on its axis.

I’m walking now through the village, exploring, probing. I try not to look like some overly curious tourist, poking into places where I will never return, but it’s useless–the force of my curiosity draws me everywhere. I walk the path by the river and then along the length of the long main street of the village. On my way back to the house, I realize with a kind of sudden ecstasy that the sound of water is everywhere, in the streets of the village and all around this place nestled in hills and gorges, a place where people have settled for millennia—the reason they have been here. The river, the little canals dug to divert the water from place to place, the small stone basins with spigots still running with public water, the open faucets of the laveries where women gathered to wash the family clothes in huge stone basins, the mill races, still running around stone buildings where their water pushed wheels and ground grain, little waterfalls, big waterfalls—all running, playing the infinite musics of water. There are few spots in this settlement, spreading from a central street and a church, where the notes of running water can’t be heard. It’s a flowing village.

The snow-covered peaks of late winter will soon send their melt down as they have forever and the river behind the house will sing with even more excitement. This winter brought snow, late and lighter but enough. We can only look for the rhythms to continue somehow in some new form. We can only encourage them with our planting, our tending of the fruit trees, our preparation, our connection. That’s what we’re doing here, after all.

Falling and Still Fountain Water
Washing for All Water
River in Sunlight Water
Captured Then Free Water
Mill Race Captured Water
River Running at Twilight Water
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Childhood

There was a time when I moved from one secure place to somewhere else, as I have done now.

There is a sepia photo of a small girl in a cage with white rabbits. Sitting there in its frame in the living room of my last home and in some other familiar position in the house before, I assumed it was a moment my mother had captured at a petting zoo somewhere in my misty childhood.

But this evening, as I looked at it again, in this new place, on the top of a dresser purchased at a second-hand store in Mirepoix, furniture now mine in a room in a partially settled house in Southern France,  I recognized suddenly another reality. There I was, in my backyard in the first place we’d moved from Brooklyn.  In our new town, I was five years old, tending the rabbits that were mine, that my parents had given me, in the pen my father had built for them there on the square of grass behind the duplex they’d rented on a nice old street in a nice old town.

Now, as I recapture those images of childhood, I didn’t feel that small in the big world, that sweet and delicate.  In my memory of the rabbits, I was a person of consciousness, of large awareness–of rabbits,  of a body of some magnitude navigating tree-lined streets on a tricycle, of other people in my world, of great imaginations.

In the photo, I am as little as my granddaughter. She will remember herself as a person of agency, just as I remember. She will remember conversations she has had with friends. She will remember herself in those dream-like memories as a real person in interaction with the world. She will know who she was.

On top of the dresser